ducktales

The late 1980s is a significant era for animation enthusiasts. The Saturday Morning Cartoon was
slowly giving way to the weekly afternoon shows. “Smurfs” was seeing steep competition from
weekly shows like “G.I. Joe” and “Teenage Mutant Ninja Turtles.” As the decade wound down, a
very big change occurred. Walt Disney Pictures, the final word in feature animation, decided to
enter the fray. The best animation studio in the world was going to tackle weekly animated shows
for kids, and predictably, they knocked the competition out of the water.

The Disney cartoons had the best animation and writing of all the afternoon kiddy shows. A whole
string of hits unfolded during the late 1980s and early 1990s, including “Chip ‘n Dale’s Rescue
Rangers,” “TailSpin,” “Darkwing Duck,” and “Goof Troop.” Disney dominated the afternoon cartoon
market, and it was their flagship show, “DuckTales,” that started it all and remained the most
popular.

“DuckTales” followed the adventures of Scrooge McDuck and his nephews Huey, Dewey, and
Louey, trotting the globe looking for all sorts of ancient treasures to add to Scrooge’s deep coffers.
The show utilized the famous “Raiders of the Lost Ark” font for its marquee and became so popular
that it inspired a merchandising bonanza that included an award-winning series of Nintendo
games. More impressive, Disney brought “DuckTales” to the big screen in 1990 for a feature
length adventure entitled “DuckTales: The Movie – Treasure of the Lost Lamp.” Quite a mouthful,
but the film proved to be as hardy as its title.

The film follows Scrooge and the kids as they quest for the lost treasure of Kali Baba in the sands
of Egypt. They find the treasure, but an evil wizard named Merlock steals the treasure, except for
the one piece he wanted. It so happens that Kali Baba had a magic lamp, and Scrooge’s niece,
Webby, happens to snag the lamp for herself before Merlock appears. Now, Merlock hunts for the
McDuck estate to get the lamp back, while Webby and the boys discover that the lamp contains a
genie that grants they wildest wishes. Misadventures ensue and soon Scrooge is caught between
an evil sorcerer and a magic lamp.

The first 15 minutes are a treat. Scrooge and company fly into an ancient dig site in Egypt,
complete with robed diggers, where they unearth a chest with an aged map inside. A “Lawrence of
Arabia”-style camel trek leads them to a unique rock formation where they find a massive pyramid
complex buried under the sand. They dig up the structure and enter the pyramid to find a series of
traps awaiting them via trick buttons on the floor.

After navigating this series of dangers, they find the treasure of Kali Baba on a pedestal over a pit of killer crabs, reachable only by way of a rickety rope
bridge. When Merlock appears, he snaps the bridge, and Scrooge goes sailing back into the pedestal, hanging desperately from the bridge’s end. Their
escape via an underground river system sings of “King Solomon’s Mines.”

This film is above average kids’ fare with a string of gags and jokes that will hold a child’s attention for quite some time. For adults however, this film can get old
quickly. This movie misrepresents itself right from the start, with a really cool poster that shows Scrooge and company in a temple setting with the magic lamp.
Scrooge sports the famous Indiana Jones fedora and the kids are all wearing “Gunga Din”-style pith helmets.

This poster captures the true spirit of the “DuckTales” series, but the film abandons these ideas all too quickly. Once back home with the lamp, the characters
unfortunately never go questing again and the story is confined to Duckberg, their hometown. Never do we see Scrooge or the kids globetrotting to ancient
places. The majority of the film is juvenile misadventures with the genie. This is a shame, as the original pilot TV film for “DuckTales” was a non-stop adventure
through ancient temples and chambers of gold. “DuckTales: The Movie” loses itself somewhere between Dijon, Merlock’s silly henchman, and the genie’s
exclamations of “Shabooey!” and never finds itself again. If the film had kept up the atmosphere and spirit established in the first part, it would have been
excellent.